Sunday, August 31, 2014

Article: "How teachers can best use TED Talks in class, from the perspective of a student"


How teachers can best use TED Talks in class, from the perspective of a student

Posted by: Kate Torgovnick May 
What happens when a teacher mixes Madame Bovary and a TED Talk? Good things, actually. Photo: iStockphoto
What happens when a teacher mixes Madame Bovary and a TED Talk? Good things, actually. Photo: iStockphoto
By Olivia Cucinotta
My high school English class had just finished reading Madame Bovary, and we were all confused. (For those of you who have not read it, please skip to paragraph two. Spoiler alert!) Emma Bovary, a listless housewife in search of the passionate love she’s read about in books, has many sordid affairs, falls deeply into debt and kills herself by swallowing arsenic, and her ever-faithful and terribly dull husband Charles dies a while later of a broken heart, and their daughter, upon finding her father dead, is sent to work in a cotton mill. We were all baffled and upset by the end of this intense, complicated novel. When we arrived in class the next day, our teacher asked us the question: “What can we learn about real love from Madame Bovary?” and no one knew what to say.
That night for homework, our only assignment was to watch a TED Talk: “Why we love, why we cheat” by anthropologist Helen Fisher. In the talk, Fisher explained her work: “My colleagues and I took 32 people who were madly in love and put them into a functional MRI brain scanner.” I knew that Helen Fisher was taking a very different approach to understanding love from Gustave Flaubert. So why was I reading Flaubert and watching her talk, one after the other?
I didn’t realize what my teacher was doing until class discussion the next day. We shuffled in, pulled our desks into a circle, took our copies of Madame Bovary out of our bags and looked around at each other.
“So,” my teacher said, “if Gustave Flaubert and Helen Fisher were having a conversation about love, what would they say to one another? What would you say to them?”
There was a pause, and then: “I mean, the thing about love being a drug, like cocaine, seems like Emma felt love like that?”
“But then what about Charles? Was he in love?”
“Well he wasn’t intense, and he wasn’t possessive. Maybe he wasn’t in love?”
“He died for love.”
“Did he die for love or for heartbreak?”
“What’s the difference?”
The discussion continued, back and forth.
What my English teacher did that day showed me the value of TED Talks in the classroom: school is all about ideas, and TED can help teachers bring ideas into conversation and debate. TED Talks aren’t like Wikipedia articles—yes, they contain information, but at their best, they actually spark a conversation. They can be used to bring diverse voices, questions, and even conflict into classroom discussions—as Helen Fisher’s did for my English class. Physics classes can start to think about just how non-linear physics really is with Boaz Almog’s demonstration of quantum superconductors, history classes can think about Yoruba Richen’s talk and wonder about how rights movements work, students can even question the school system they are a part of with Ken Robinson’s talk on how schools creativity.
I graduated from high school in May. (I’ve spent the summer before college interning with the lovely editorial department at TED.) Throughout my high school career, I’ve seen teachers use TED Talks often—sometimes very well, and sometimes in ways I didn’t find as effective. I recently got in touch with a former teacher from my school, Suzanne Fogarty (now the director of the Lincoln School in Providence, Rhode Island), who showed Chimamanda Adichie’s TED Talk, “The danger of a single story,” in an assembly. Afterward, Adichie’s talk popped up in lectures, lunchtime discussions, even in the hallways between classes. Her ideas had entered the vocabulary of the school. Everyone was thinking about the “single story.”
I wanted to find out why Ms. Fogarty chose to use TED in her curriculum. When I asked, she responded, “TED Talks make us pause and listen to the percolation of ideas—art, engineering, technology, the humanities, spoken word and more.”
Her comment clarified something for me. The best use of TED Talks in the classroom really do take advantage of that “percolation of ideas.” Talks work best when teachers use them to give perspective and to generate discussion around difficult topics.
But how exactly do you do this? Stephanie Lo, Director of TED-Ed Programs, advises teachers to use TED videos as a way to get students thinking. She recommends that teachers check out Ed.TED.com, which is packed full of short, animated lessons created specifically for students. (When searching, teachers can filter by student age—there are talks for elementary school studentsmiddle school studentshigh school students and college students.) And she recommends that, whether they’re using a lesson or a talk, teachers prepare discussion questions to get students thinking before they get to class.
Fogarty echoes the sentiment. “I like having some essential questions to accompany the talk,” she told me, “or asking students to research TED Talks that carry meaning for their generation.”
These conversations helped me see what can really happen when TED Talks are brought into the classroom. Students can better grasp topics they might not fully understand at first glance, think critically about how they think about the world, and discuss other big ideas alongside their own. Gustave Flaubert can have a conversation with Helen Fisher about the meaning of love. And that is pretty cool.

Friday, August 15, 2014

Article: "5 Secrets of Public Speaking From the Best TED Presenters"

5 Secrets of Public Speaking From the Best TED Presenters

How can you borrow a bit of the magic that garners some TED talks millions upon millions of views? An author of a book on the subject shares some secrets.



 
Ask just about anyone these days for great examples of public speaking and you’ll hear a variation on a single thing -- "Did you see that TED talk by so and so?" Powerful enough to change your life in 18-short minutes and garnering millions upon millions of views, the best TED talks are a well deserved cultural phenomena.
Could you borrow a bit of their magic?
That’s the premise of TEDx organizer Jeremey Donovan’s book “How to Deliver a TED Talk: Secrets of the World’s Most Inspiring Presentations.” Combing through the most viewed talks, Donovan tried to boil down what exactly makes them so gripping so he can bottle that special sauce for his readers. What did he come up with? A 33voices podcast featuring Donovan gives you a taster, including these tips:

One Big Idea

"If you had to say there was one magical element to the best TED talks, it’s that those speakers picked one really, really big idea," Donovan say, noting that the challenge is often that we have too much content rather than too little.
So how can you determine what your own single idea or message should be. Ask yourself: what is the best story I have to tell? Donovan suggests. Start with that story and what it taught you and then edit ruthlessly. He suggests asking yourself: "Is what I’m saying now a digression, or is what I’m saying now in support of that core theme?" Visualize the theme as a spine and ensure everything you say hangs nicely off that.

It’s Not About You

The biggest thing that people have to unlearn, Donovan says, is the notion that speaking is about your performance. It’s not. It’s about the audience. "I think the biggest transformation in speaking quality happens when you realize that this song is not about you," he says.
When speaking, your objective should be to give the audience a gift of something that you learned. If you conceptualize your talk that way you can come closer to being as relaxed and comfortable as the greatest TED speakers -- many of whom are not professionals, but simply passionate about communicating their message. Speak conversationally like you would to someone you care about. 

Nail Your Opener

How do you start your talk? Donovan offers three ways. The first and best, if you can manage it, is to jump straight into a story. And don’t skimp on the emotion. "Don’t retell your story. Relive your story with the audience," Donovan advises.
The most common opener is second best, according to Donovan, and involves starting with an an open-ended, thought provoking question. The answer must be your core theme. "You gotta be careful," Donovan cautions. "If you ask a series of questions, every single answer to each of those questions has to be exactly the same."  The final way is to start is with a shocking statistic, something unexpected that gets people disrupted.

The Catchphrase Is King

"The best talks have a repeated catchphrase," Donovan says, noting that this catchphrase isn’t mercilessly repeated but sprinkled through the talk at beginning, middle and end. So what makes for a great, memorable catchphrase?
"Catchphrases tend to work best when they’re three words up to twelve," he says. It’s also important to keep it  action centric: "You want people to make it personally relevant. Something they can do to change their lives." A rhyming or sing song catchphrase is more 'sticky' --  just think of ‘If it doesn’t fit, you must acquit’ which you no doubt remember (if you’re old enough) from the O.J. Simpson case all the way back in 1995.

Channel Your Inner Screenwriter

"We’re hardwired from our earliest childhood on how to tell stories," says Donovan, who insists that we’re all natural storytellers. Still, you can buff up your inherent storytelling skills by keeping classical, three-act story structure in mind.
"You open in act one with the ordinary world of your protagonist,” Donovan says, explaining that you should start with what your life was life before something incredible happened. Then comes some inciting incident, "something that happens to you that throws you onto a journey" whether it’s physical and mental. That’s act one.
"Act two takes you from the inciting incident through a series of escalating conflicts that are increasingly difficult," Donovan explains (try to throw in some comic relief). The climax of your story is the end of act two. "It needs to have high stakes and a critical decision that you need to make," he says. Finally, "act three takes you from the end of the climax into the new world, so what is your life like now that you have gone through this journey? How has your day to day changed and how has your mindset changed?"

Article: "What Dead Poets Society Taught Me About Being a Teacher"


What Dead Poets Society Taught Me About Being a Teacher

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ROBIN WILLIAMS DEAD POETS SOCIETY
We may remember him as Mork, Mrs. Doubtfire, Peter Pan, or the Genie, but for me, Robin Williams will always be Mr. Keating.
I first watched Dead Poets Society in high school. Its embrace of youthful idealism and romanticism entranced me as a teenager. Years later, as an aspiring teacher, I had dreamy visions of my students calling me "Captain!" and standing on their desks in triumphant appreciation of my inspirational and daring teaching.
And while I did learn innovative and effective teaching strategies in graduate school, in many ways quality teaching lies in the intangibles. There's a difference between learning how to teach, and how to be a teacher. And Robin Williams as Mr. Keating taught us a lot about being a teacher.
1. It's About Relationships
Students don't care what you know if they don't know you care. Mr. Keating's students loved him because he was interested in them. He delighted in their successes. He laughed with them (near them, not at them). He truly saw them. And that's pretty much what every kid we teach wants -- to be seen and be noticed.
I remember in my education courses being warned about being "too friendly," or using self-deprecating humor and sarcasm as a way to connect with students. "You can always ease up later," instructors warned, "so start out strict." No ripping up the textbooks on day one, I sighed.
I took their advice to heart, and approached my first several years of teaching very seriously. As soon as the bell rang, class started: no chit chat, all business! Did something funny just happen in class? Well, move on, because we've got no time for that, and there's important stuff about ancient Greece to talk about! It's not surprising that one of my early reviews on a teacher rating site called me "soulless and uptight." {I'll concede uptight, but soulless? That's just mean.}
But no one wants a soulless teacher. Dead Poets Society taught me it's okay to take some precious class time to talk to kids about their lives and their interests. I wish I had taken this to heart a lot earlier.
2. It's About Passion
Think of your favorite teacher. What stood out about them? My guess is for many of us, that one thing is passion -- a passion for their subject and a passion for teaching. Mr. Keating loved poetry, loved hearing the words "drip off our tongues like honey." I'm passionate about history -- I love the subject and stories that I teach. One of the comments I love hearing from my students is that they never liked history before, but I made it interesting. They love that I love history.
Educator Parker Palmer writes that the teachers selected by students as their favorites vary widely in terms of the techniques they use. What they share is presence andpassion: "'Dr. A is really there when she teaches,' a student tells me, or 'Mr. B has such enthusiasm for his subject,' or 'You can tell that this is really Prof. C's life.'"
Those were all true of Mr. K, too.
3. It's About Being YOU
In my first years of teaching, I suffered from what I called the "Dead Poets Societycurse." He made it look so easy! Okay, I'll jump on a desk, and tell them to call me Captain, have them kick some balls outside to classical music, and I'll nail this teaching thing! Well, I couldn't pull that off. It's not me.
Maybe I needed to be Michelle Pfeiffer in Dangerous Minds: Okay, I'll show up in a leather jacket, do some awesome karate moves, hand out candy bars, and teach them poetry with rap lyrics! Then I'll nail it! Well, that's not me either.
Ultimately, teaching is about being you. It's finding your own voice, your own authentic barbaric yawp. Don't try to be a teacher in a movie. Just be you. It may take some time to find your groove and your personal style. But ultimately, to quote Parker Palmer again, "we teach who we are."
4. It's About Teaching Life Skills, Too
Education is not necessarily about making us wealthy or "better off," but, as one my education professors quipped, it is about simply making us "better." Mr. Keating taught his students English. But he also taught them to think for themselves, to support and challenge one another, to be stirred up by new ideas, to not live "the lives of quiet desperation" lamented by Thoreau.
In all our talk today about testing and standards and achievement, we sometimes overlook these "softer" life skills that children need for success. These are the skills that help them understand their emotions, cultivate empathy, maintain healthy relationships, and feel worthy of love and capable of action. These skills and mindsets are the foundation for healthy living and thriving.
I strongly believe if we can teach young people these skills, especially to tune in to their inner experience, and to hold themselves and others with compassion, we can transform the world.
5. It's About All Kids
Many films that celebrate great teaching focus on a heroic teacher in an underfunded urban school with students from disadvantaged backgrounds. Sometimes we assume that students in affluent districts, or in wealthy prep schools like the fictional Welton Academy, with involved parents and high test scores, don't have real problems. But kids everywhere face academic pressure, peer pressure, and their own share of trauma and pain. They all have the same brains, prone to faulty wiring and chemical imbalances.
This is the part of teaching that terrifies me. Even the kids who seem like they have it all together may feel, like Mr. Keating says of Todd, that "everything inside [them] is worthless and embarrassing." Robin Williams made us laugh and radiated joy, but he also battled with the darkness. How many of our students are silently struggling with their own demons? I truly hope that the open discussion of depression and mental illness that has begun in the wake of Williams' death creates a safer atmosphere for them to seek the help they need.
As we approach the start of a new school year, let's remember that the most important thing we do as teachers is create a compassionate community for meaningful connection with students. It is our cultivated awareness, engagement, and authenticity that allow us to do this in our work with young people. Mr. Keating, and Mr. Williams, can live on in our classrooms.
This post originally appeared on Sarah's blog Left Brain Buddha. You can follow Sarah on FacebookPinterest, and Google+.